government forced the five major studios to divest their cinema chains. Legal changes also had a major impact on their business-lawsuits brought by major stars had effectively overthrown the old studio contract system by the late 1940s and, beginning in 1949, anti-trust suits brought by the U.S. By this time, the established Hollywood studios were reeling from multiple challenges to their former dominance-the most notable being the introduction of television in the late 1940s. returned to the record business on March 19, 1958, with the establishment of its own recording division, Warner Bros. mono albums from 1958 to 1964 when it switched to the same gold label as the stereo version. The grey, black, white and yellow label design used for Warner Bros. stereo albums from 1958 to 1967 and mono albums from 1964 to 1967. 1958–1963: formation and early years The gold, black and red label design used for Warner Bros. The heavy loss it incurred in the Brunswick deal kept the studio out of the record business for more than 25 years, and during this period it licensed its film music to other companies for release as soundtrack albums. sold Brunswick a second time (along with Brunswick's back catalog up to 1931), this time along with the old Brunswick pressing plants Warner owned, to Decca Records (which formed its American operations in 1934) in exchange for a financial interest in Decca. Technically, Warner maintained actual ownership of Brunswick, which with the sale of ARC to CBS in 1939 and their decision to discontinue Brunswick in favor of reviving the Columbia label, reverted to Warner Bros. offloaded Brunswick to the American Record Corporation (ARC) for a fraction of its former value, in a lease arrangement which did not include Brunswick's pressing plants. Unfortunately for Warner Bros., the dual impact of the Great Depression and the introduction of broadcast radio greatly harmed the recording industry-sales crashed, dropping by around 90% from more than 100 million records in 1927 to fewer than 10 million by 1932 and major companies were forced to halve the price of records from 75 to 35 cents. In 1930, Music Publishers Holding Company (MPHC) paid US$28 million to acquire Brunswick Records (which included Vocalion), whose roster included Duke Ellington, Red Nichols, Nick Lucas, Al Jolson, Earl Burtnett, Ethel Waters, Abe Lyman, Leroy Carr, Tampa Red and Memphis Minnie, and soon after the sale to Warner Bros., the label signed rising radio and recording stars Bing Crosby, Mills Brothers, and Boswell Sisters. This new group controlled valuable copyrights on standards by George and Ira Gershwin and Jerome Kern, and the new division was soon earning solid profits of up to US$2 million every year. Witmark & Sons, Harms Inc., and a partial interest in New World Music Corp., and merged them to form the Music Publishers Holding Company. In 1928, the studio acquired several smaller music publishing firms which included M. Pictures decided to expand into publishing and recording so that it could access low-cost music content for its films. Īrtists who have recorded for Warner Records include Madonna, Prince, Cher, Devo, the B-52s, Joni Mitchell, Van Halen, Alice Cooper, Kylie Minogue, ZZ Top, Gorillaz, Bette Midler, Dua Lipa, Grateful Dead, Jane's Addiction, Blur, Duran Duran, Deep Purple, Fleetwood Mac, Rod Stewart, James Taylor, Nile Rodgers, Black Sabbath, Red Hot Chili Peppers, Linkin Park, Muse, Tevin Campbell, Mac Miller, Bebe Rexha, R.E.M., and Sex Pistols.Īt the end of the silent movie period, Warner Bros. It was founded on March 19, 1958, as the recorded music division of the American film studio Warner Bros. A subsidiary of the Warner Music Group, it is headquartered in Los Angeles, California.
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